{"id":713,"date":"2026-05-07T02:21:47","date_gmt":"2026-05-07T02:21:47","guid":{"rendered":"https:\/\/turkiyemhaber.com\/?p=713"},"modified":"2026-05-07T02:21:52","modified_gmt":"2026-05-07T02:21:52","slug":"hulya-yazicinin-40-yil-sanat-yolculugu-perde-sergisi","status":"publish","type":"post","link":"https:\/\/turkiyemhaber.com\/?p=713","title":{"rendered":"H\u00fclya Yaz\u0131c\u0131’n\u0131n 40 Y\u0131l Sanat Yolculu\u011fu: ‘Perde’ Sergisi"},"content":{"rendered":"\n

Ba\u011f\u0131ms\u0131z Sanat<\/a> Vakf\u0131 Kurucusu H\u00fclya Yaz\u0131c\u0131’n\u0131n 40 y\u0131l\u0131 a\u015fan sanatsal \u00fcretimini bir araya getiren “Perde” ba\u015fl\u0131kl\u0131 retrospektif sergisi, Dolmabah\u00e7e Resim M\u00fczesi H\u00fcseyin Zekai Pa\u015fa Sergi Salonu’nda sanatseverlerle bulu\u015ftu.<\/p>\n\n\n\n

Milli Saraylar Ba\u015fkanl\u0131\u011f\u0131n\u0131n himayesinde ger\u00e7ekle\u015ftirilen ve k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Bet\u00fcl Tekiner’in \u00fcstlendi\u011fi sergi, sanat\u0131n evrenselli\u011finden yola \u00e7\u0131karak sanat\u00e7\u0131n\u0131n kendi co\u011frafyas\u0131ndan beslenen iki farkl\u0131 d\u00f6nemine ait eserlerini bir araya getiriyor.<\/p>\n\n\n\n

AA muhabirine a\u00e7\u0131klamalarda bulunan Yaz\u0131c\u0131, Ba\u011f\u0131ms\u0131z Sanat Vakf\u0131nda yap\u0131lan faaliyetlerden dolay\u0131 ki\u015fisel bir sergi yapacak zaman\u0131 uzun s\u00fcredir bulamad\u0131\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n\n\n\n

Genelde karma sergilere kat\u0131ld\u0131\u011f\u0131n\u0131 belirten Yaz\u0131c\u0131, “Serginin k\u00fcrat\u00f6r\u00fc Bet\u00fcl Tekiner’le tevafukken kar\u015f\u0131la\u015fmam\u0131z sonras\u0131nda zamanla bir sergi planlama fikrini olgunla\u015ft\u0131rd\u0131k. Kendisi bu konuda beni motive etti. Birlikte uyumlu bir \u00e7al\u0131\u015fma s\u00fcrecine girdik.” dedi.<\/p>\n\n\n\n

Serginin 40 y\u0131l\u0131 a\u015fk\u0131n sanat yolculu\u011funun bir \u00fcr\u00fcn\u00fc oldu\u011funu belirten Yaz\u0131c\u0131, \u015f\u00f6yle devam etti:<\/p>\n\n\n\n

“Sanatta kendi ifade bi\u00e7imimi aramaya ba\u015flamam neredeyse 40 y\u0131la yak\u0131n. \u00c7ok farkl\u0131 s\u00fcre\u00e7lerden ge\u00e7tim, renkle bi\u00e7imle oynad\u0131m. Renkten renksizli\u011fe ge\u00e7i\u015fim var. \u015eu anda \u00e7al\u0131\u015fmalar\u0131m b\u00fct\u00fcn renkleri i\u00e7inde bar\u0131nd\u0131ran beyaz ve renkleri n\u00f6trle\u015ftiren siyahla devam ediyor. Elbette sanat ser\u00fcvenimde engeller, k\u0131r\u0131lmalar da var. Yola girdi\u011finizde her \u015feye ra\u011fmen a\u00e7\u0131lan yollar uzun c\u00fcmlelerle ifade edilebilir. Ancak bunlar\u0131 in\u015fallah bir kitapta toplamak m\u00fcmk\u00fcn olur.”<\/p>\n\n\n\n

“Sanat benim i\u00e7in g\u00fczellik, iyilik, imar etme, ke\u015ffetme, kendini ve varolu\u015fu tan\u0131ma, anlama yolu”<\/p>\n\n\n\n

Yaz\u0131c\u0131, sergideki metaforik dilin, “ipek b\u00f6ce\u011finin ya\u015fam d\u00f6ng\u00fcs\u00fc” \u00fczerinden anlat\u0131ld\u0131\u011f\u0131na i\u015faret ederek, “\u0130\u00e7inde pek \u00e7ok metafor bar\u0131nd\u0131ran ipek b\u00f6ce\u011finin 50 g\u00fcnl\u00fck ya\u015fam \u00f6yk\u00fcs\u00fcn\u00fcn benimkiyle \u00f6rt\u00fc\u015fen pek \u00e7ok yan\u0131 var. Ben de kendi kozam\u0131, asl\u0131nda bunun yeni bir varolu\u015fu haz\u0131rlayacak olan yok olma gayreti oldu\u011funu bilerek \u00f6r\u00fcyorum.” ifadelerini kulland\u0131.<\/p>\n\n\n\n

Sanat\u0131n kendisi i\u00e7in ifade etti\u011fi anlama dair ise H\u00fclya Yaz\u0131c\u0131, \u015funlar\u0131 kaydetti:<\/p>\n\n\n\n

“Sanat benim i\u00e7in g\u00fczellik, iyilik, imar etme, ke\u015ffetme, kendini ve varolu\u015fu tan\u0131ma, anlama yolu. Ne yaz\u0131k ki ya\u015fad\u0131\u011f\u0131m\u0131z co\u011frafya, k\u00fcresel sava\u015flar\u0131n d\u0131\u015f ve i\u00e7 etkilerinin yo\u011fun ya\u015fand\u0131\u011f\u0131 tahakk\u00fcm s\u0131n\u0131rlar\u0131n\u0131n s\u00fcrekli geni\u015fletildi\u011fi bir co\u011frafya. 2010’dan bu yana Ba\u011f\u0131ms\u0131z Sanat Vakf\u0131n\u0131n \u00fc\u00e7 y\u0131lda bir ger\u00e7ekle\u015ftirdi\u011fi, k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc yapt\u0131\u011f\u0131m d\u00f6rt uluslararas\u0131 g\u00fcncel sanat etkinli\u011fi bu konular\u0131 i\u015fliyordu. \u0130nsan haklar\u0131 ihlalleri ayn\u0131 zamanda bir uyan\u0131\u015fa, iyi ile k\u00f6t\u00fcn\u00fcn ayr\u0131\u015fmas\u0131na alan a\u00e7\u0131yor diye d\u00fc\u015f\u00fcn\u00fcyorum. \u0130\u00e7inde bulundu\u011fumuz g\u00fcnlerde modern d\u00fcnyan\u0131n bizden ald\u0131\u011f\u0131 insani \u00f6zelliklerin bireyselle\u015fmenin yerini tam da en dip noktas\u0131ndan bir y\u00fckselme ya\u015fayaca\u011f\u0131n\u0131n sinyallerini al\u0131yoruz. K\u00fcresel k\u00f6t\u00fcl\u00fc\u011fe kar\u015f\u0131, b\u00fcy\u00fcmekte olan k\u00fcresel iyilik filizlenmekte, sanat ve sanat\u00e7\u0131n\u0131n durmas\u0131 gereken yer de tam buras\u0131 olmal\u0131.”<\/p>\n\n\n\n

“H\u00fclya Han\u0131m ile \u00e7al\u0131\u015fmak ve bu sergiyi kurgulamak bana \u00e7ok \u015fey katt\u0131”<\/p>\n\n\n\n

K\u00fcrat\u00f6r Bet\u00fcl Tekiner ise sergi fikrinin 1 y\u0131l \u00f6nce ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 ve H\u00fclya Yaz\u0131c\u0131 ile \u00e7al\u0131\u015fman\u0131n kendisi i\u00e7in \u00f6nemli oldu\u011funu s\u00f6yledi.<\/p>\n\n\n\n

K\u00fcrat\u00f6r ve sanat\u00e7\u0131 aras\u0131ndaki ili\u015fkinin mahiyetine dikkati \u00e7eken Tekiner, “K\u00fcrat\u00f6r olarak, bir sanat\u00e7\u0131yla yol y\u00fcr\u00fcmeye karar verdi\u011fimde sadece eserlere odaklanman\u0131n yeterli bir perspektif sunmayaca\u011f\u0131n\u0131, hakikati eksik b\u0131rakaca\u011f\u0131n\u0131 biliyorum. Sanat\u00e7\u0131n\u0131n d\u00fcnyas\u0131n\u0131, at\u00f6lyesini, malzemesini, hikayesini, sanat\u0131n\u0131 ne i\u00e7in icra etti\u011fini ve neleri dert edindi\u011fini anlamaya \u00e7al\u0131\u015farak ba\u015fl\u0131yorum. H\u00fclya Han\u0131m, \u00fclkemizde \u00e7a\u011fda\u015f ve kavramsal sanat\u0131n \u00e7ok k\u0131ymetli bir temsilcisi. \u00c7ocuklu\u011fundan itibaren duyulan sanatkarl\u0131k sinyallerinden, akademi y\u0131llar\u0131na uzanan ve sonras\u0131nda vakfiyecilikle devam eden sanata adanm\u0131\u015f bir \u00f6m\u00fcr. Bu hikaye beni derinden etkiledi. Retrospektif fikri de tam bu noktada do\u011fdu.” diye konu\u015ftu.<\/p>\n\n\n\n

Sergi s\u00fcrecini bir “yolculuk” olarak tan\u0131mlayan Tekiner, \u015funlar\u0131 anlatt\u0131:<\/p>\n\n\n\n

“H\u00fclya Han\u0131m ile \u00e7al\u0131\u015fmak ve bu sergiyi kurgulamak bana \u00e7ok \u015fey katt\u0131. Bu s\u00fcre\u00e7te onun vakur ve sade \u00fcslubunu koruyarak, ayn\u0131 safl\u0131\u011f\u0131 sergide de hissettirmeye gayret ettik. Sunabilece\u011fimiz \u00e7ok fazla veri ve eser varken, sadeli\u011fi muhafaza etmek ad\u0131na titiz bir se\u00e7im yapt\u0131k. Sergide hocam\u0131z\u0131n fikri ve teknik s\u00fcrecini yans\u0131tan ilk eskizlerinden y\u0131llard\u0131r istikrarla s\u00fcrd\u00fcrd\u00fc\u011f\u00fc ipek b\u00f6ce\u011fi temas\u0131na, \u00f6nceki serilerinden g\u00fcncel eserlerine kadar ve trienal gibi geni\u015f \u00f6l\u00e7ekli projelerine uzanan bir se\u00e7ki sunduk. Bu yolculu\u011fu, onun duygu d\u00fcnyas\u0131n\u0131 bir de s\u00f6zc\u00fcklerle yans\u0131tt\u0131\u011f\u0131 \u015fiirlerinden birer kuple ile destekleyerek bu g\u00fczel bahar g\u00fcn\u00fcnde izleyiciyle bulu\u015fturmu\u015f olduk.”<\/p>\n\n\n\n

Tekiner, serginin ismi “Perde”ye dair de “Perde, olduk\u00e7a metaforik ve y\u00fckl\u00fc bir \u00e7a\u011fr\u0131\u015f\u0131ma sahip ve bu metafor tek bir eserde veya \u00e7\u0131k\u0131\u015f noktas\u0131nda tak\u0131l\u0131 kalm\u0131yor. Serginin her yerinde hissediliyor. H\u00fclya Yaz\u0131c\u0131, bug\u00fcne kadar hep bir fikir i\u015f\u00e7isi ve yol a\u00e7\u0131c\u0131 olarak, k\u00fcrat\u00f6r ve vak\u0131f ba\u015fkan\u0131 kimli\u011fiyle ‘ba\u015fkalar\u0131 i\u00e7in perdeler aralad\u0131’. Toplumsal meselelere sanatla ses verdi ve b\u00fcy\u00fck katk\u0131lar sundu. Nihayet bu ki\u015fisel retrospektifle kendi i\u00e7 d\u00fcnyas\u0131n\u0131n perdesini ilk kez bu kadar geni\u015f\u00e7e aral\u0131yor.” de\u011ferlendirmesini yapt\u0131.<\/p>\n\n\n\n

Sergi a\u00e7\u0131l\u0131\u015f\u0131na konuk olan eski K\u00fclt\u00fcr<\/a> ve Turizm Bakan Yard\u0131mc\u0131s\u0131 \u00d6zg\u00fcl \u00d6zkan Yavuz ise H\u00fclya Yaz\u0131c\u0131’n\u0131n daha \u00f6nce farkl\u0131 sanat\u00e7\u0131lar\u0131n sergilerine destek verdi\u011fini aktararak, “Uluslararas\u0131 alanda girilmesi \u00e7ok zor yerlere ad\u0131n\u0131 yazd\u0131rm\u0131\u015f bu de\u011ferli sanat\u00e7\u0131m\u0131z\u0131 tebrik ediyorum. Burada ilk defa kendi retrospektifini g\u00f6rme f\u0131rsat\u0131 buluyoruz. ‘Perde’ sergisinde kendisinin sanat yolculu\u011funa tan\u0131kl\u0131k ediyoruz. ” \u015feklinde konu\u015ftu.<\/p>\n\n\n\n

Sergi, 31 May\u0131s’a kadar ziyarete a\u00e7\u0131k olacak<\/p>\n","protected":false},"excerpt":{"rendered":"

Ba\u011f\u0131ms\u0131z Sanat Vakf\u0131 Kurucusu H\u00fclya Yaz\u0131c\u0131’n\u0131n 40 y\u0131l\u0131 a\u015fan sanatsal \u00fcretimini bir araya getiren “Perde” ba\u015fl\u0131kl\u0131 retrospektif sergisi, Dolmabah\u00e7e Resim M\u00fczesi H\u00fcseyin Zekai Pa\u015fa Sergi Salonu’nda sanatseverlerle bulu\u015ftu. Milli Saraylar Ba\u015fkanl\u0131\u011f\u0131n\u0131n himayesinde ger\u00e7ekle\u015ftirilen ve k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Bet\u00fcl Tekiner’in \u00fcstlendi\u011fi sergi, sanat\u0131n evrenselli\u011finden yola \u00e7\u0131karak sanat\u00e7\u0131n\u0131n kendi co\u011frafyas\u0131ndan beslenen iki farkl\u0131 d\u00f6nemine ait eserlerini bir araya getiriyor. AA muhabirine<\/p>\n","protected":false},"author":1,"featured_media":714,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_rtcl_gb_attr":"","footnotes":""},"categories":[42],"tags":[],"class_list":["post-713","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-ve-sanat"],"_links":{"self":[{"href":"https:\/\/turkiyemhaber.com\/index.php?rest_route=\/wp\/v2\/posts\/713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/turkiyemhaber.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/turkiyemhaber.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/turkiyemhaber.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/turkiyemhaber.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=713"}],"version-history":[{"count":1,"href":"https:\/\/turkiyemhaber.com\/index.php?rest_route=\/wp\/v2\/posts\/713\/revisions"}],"predecessor-version":[{"id":715,"href":"https:\/\/turkiyemhaber.com\/index.php?rest_route=\/wp\/v2\/posts\/713\/revisions\/715"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/turkiyemhaber.com\/index.php?rest_route=\/wp\/v2\/media\/714"}],"wp:attachment":[{"href":"https:\/\/turkiyemhaber.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/turkiyemhaber.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/turkiyemhaber.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}